The Edificio Bacardí (Bacardí Building) is the first Art Déco building in Havana. It is considered an architectural jewel of its time, as well as one of the best examples of decorative art. Construction finished in 1930, and it was the tallest building on the island at that time. It is said that the building contains marble and granite from almost every nation in Europe. This building has 12 floors, 5 of which are offices for rent, and a total space of 7,031 square meters. Its facade is covered in Baviera red granite and on the top you will see a bat, the symbol of the Bacardí company. At the end of 19th Century, the Bacardi rum was very famous in Cuba and abroad. Its creator, Don Emilio Bacardi, was a Spaniard settled in the island. It is said that he had a bat as a talisman which was used as logo in the first distillery that made him to win fortune. It has a tiered pyramid design, using tiles as a decorative element from Catalonian Modernism, giving the building a wonderful shade effect. The richness of its interior decoration is given mainly by the natural beauty of its marbles, brought from Europe and the typical accessories of Art Deco like lamps, ironworks, drawings, etc. Currently, the building houses Cuban offices, offices for and international companies. The lobby has a bar open to the public and you’ll be able to climb the tower and get a wonderful view over Havana.

The Templete, a small neo-classical style construction, was built in the second half of the 18th Century. It is located in Plaza de Armas. This was the site where the first public mass was celebrated and also the site of the first town council of the nascent town of San Cristóbal de La Habana. The Templete resembles a Doric temple and houses three commemorative canvasses by the famous French painter Juan Bautista Vermey. One of the walls exhibits the plate that declares Old Havana a World Heritage Site.

The Cathedral of Havana is an iconic work of what is known as Cuban Baroque and the most remarkable of our colonial churches. The glorious baroque facade and asymmetrical bell-towers of the late 18th-century cathedral are the square’s top attraction. Its interior is surprisingly plain, but it once held the remains­ of Christopher Columbus. Religious services are held here. It has been declared a National Monument.

The neighbors of the town insisted to the town council on the need to create a new public square for their amusement. In 1587, the town council decided to use as a public square the area behind the Convento de San Francisco, which was being built at the time. During the latter decades of the 16th century, this square was called the Plaza Nueva (new square), but from the 18th century onwards, once the Plaza del Cristo had been built, it began to become known as the Plaza Vieja (old square). The most remarkable feature of this square are the buildings around it, with their unquestionable historical and artistic importance of having been the blueprint for a style of architecture which, along with certain developments, subsequently spread throughout the city and characterised the Cuban architecture of the 18th century.