This square dates back to the first half of the 17th century. Its location, just a few metres from the bay, led to it becoming an important trading square over the years. It is said that around the year 1600 the first fountain of the city could be seen at this square. In 1836 it was replaced by a beautiful fountain made of white Carrara marble by Giuseppe Gaggini, under the good auspices of the Villanueva Count. This fountain is called Fuente de los Leones (Lions Fountain). On its paved area stand two noteworthy buildings: the Monastery and Basilica of San Francisco de Asís, which today houses the Museum of Religious Art and a concert hall. It is also where the Lonja del Comercio (Chamber of Commerce) is located, inspired by Spanish Renaissance architecture and topped by a dome on which a sculpture of the god Mercury stands. Among the houses built around the plaza, the house of the Arostegui family, residence of the Captain Generals until the completion of the City Hall at the end of the 18th century, was erected.

The neighbors of the town insisted to the town council on the need to create a new public square for their amusement. In 1587, the town council decided to use as a public square the area behind the Convento de San Francisco, which was being built at the time. During the latter decades of the 16th century, this square was called the Plaza Nueva (new square), but from the 18th century onwards, once the Plaza del Cristo had been built, it began to become known as the Plaza Vieja (old square). The most remarkable feature of this square are the buildings around it, with their unquestionable historical and artistic importance of having been the blueprint for a style of architecture which, along with certain developments, subsequently spread throughout the city and characterised the Cuban architecture of the 18th century.

The Cannon Blast ceremony (El Cañonazo de las Nueve) is one of the oldest and attractive traditions of Havana. In colonial days, the shots signalled the closing of the gates of the walled city and the rising of the chain across the entrance to the harbour. The tradition of firing a cannon every night at 9:00 pm was kept even after the wall was torn down and is still used for checking your watch.

The Gran Teatro de La Habana Alicia Alonso (Great Theatre of Havana Alicia Alonso) is one of the architectural jewelry of Havana. It has an incredible neo-baroque façade with the signature of the Belgian architect Paul Belau. Located in a building known as the Galician Centre of Havana, it was inaugurated in 1915 and at the beginnings it was named Tacón Theatre. Not only in its façade there are evidences of its exquisiteness, but also its indoors halls show the luxury and elegance of the time. Its stages have shown the better artistic representations of all times, with outstanding personalities during its history (Sara Bernhardth, Enrico Caruso, Alicia Alonso) The theatre has been home to the Cuban National Ballet and, the main stage of the International Ballet Festival of Havana. Its facilities include theatres, a concert hall, conference rooms, and a video screening room, as well as an art gallery, a choral centre, and several rehearsal halls for danzarias groups and dance companies.