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Hostal Tejadillo

Hotels - Hostal Tejadillo

About  Hostal Tejadillo

The Hotel Tejadillo is a rather eccentric establishment, with a curious though not unpleasant layout and an even more peculiar but quite useful range of facilities. The warren-like floor plan is due to the hotel being composed of three restored Havana mansions dating from the eighteenth and nineteenth centuries.

The location is ideal, just round the corner from Cathedral Square, and the corner bar has tall windows facing onto San Ignacio and Tejadillo Streets. There are two courtyards; one with tables for breakfast or drinks with a large and slightly overpowering mural of colonial architecture, the other full of marvelously bushy ferns and a Yagruma tree whose vast leaves occasionally crash to the ground, startling unsuspecting bystanders.

The entrance hall has tall windows, traditional colonial window grilles and fanlights, high ceilings and positively chintzy armchairs and is decorated with paintings by local artists and also with bonsai trees, which hold an inexplicable fascination for Old Havana interior designers.

The staff is helpful and the hotel clean and welcoming, but it is not perhaps the best accommodation for architectural historians who may spend their holidays trying to puzzle out the establishment’s surreal spatial divisions.

 

Refugio No. 1 e/ Zulueta y Monserrate, Habana

Museum of the Revolution

Situated in the former Presidential Palace (1920-1960), the Museum of the Revolution is a colorful building of a large dome and a mixture of styles. A detailed panorama of the struggle undertaken by the Cuban people in order to obtain its freedom is available in its 38 rooms. Its outdoor areas feature the Granma Memorial, where visitors can see, protected by an enormous glass case, the boat on which Fidel Castro and more than eighty combatants returned to Cuba from exile in Mexico to recommence the fight for the country's independence.

Calle Inquisidor e/ Muralla y Teniente Rey, Habana Vieja

Old Square

The neighbors of the town insisted to the town council on the need to create a new public square for their amusement. In 1587, the town council decided to use as a public square the area behind the Convento de San Francisco, which was being built at the time. During the latter decades of the 16th century, this square was called the Plaza Nueva (new square), but from the 18th century onwards, once the Plaza del Cristo had been built, it began to become known as the Plaza Vieja (old square). The most remarkable feature of this square are the buildings around it, with their unquestionable historical and artistic importance of having been the blueprint for a style of architecture which, along with certain developments, subsequently spread throughout the city and characterised the Cuban architecture of the 18th century.

Carretera de La Cabana, Habana del Este

San Carlos de La Cabaña Fortress

The vast Fortaleza de San Carlos de la Cabaña, known as ‘La Cabaña’, running beside the harbor, was constructed after the English capture of Havana in 1763. The largest of the military structures built by Spain in the Americas, this fortress was completed in 1774 and its presence formed an effective complete deterrent against the country's enemies. The polygon, occupying an area of around 10 hectares, consists of bastions, ravelins, moats, covered walkways, barracks, squares and stores.  It is impressively well preserved, and the gardens and ramparts are romantically lit in the evening. This fortress hosts the spectacular nightly ceremony of El Cañonazo de las Nueve (cannon fire at 9), the firing of a cannon that marked the closing of the city gates, one of Havana's longest-held and most attractive traditions.

Oficios, e/ Amargura y Churruca, Habana Vieja

San Francisco de Asís Church and Convent

The San Francisco de Asís Church and Convent is the current scenario of the richest cultural traditions. This is one of the most extraordinary convent and church complex of the colonial time. The construction of the current set dates from 1738, and it replaced a more modest one completed in 1591. After a restoration in the nineties, the architectural group has harbored, also, a concert hall and the Holy, Sacred and Religious Art museums. The most significant element of the Church is the Tower 42 meters of height, second in altitude at the colonial time. 

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