This exquisite, neoclassical concert hall is named after a 19th-century violinist/composer who was exiled for his nationalist leanings. It was the first place that danzón, Cuba's national dance, was performed.

This beautifully restored museum is worth a visit for its wide-ranging exhibits on everything from archeology to ethnology to numismatics to colonial weaponry. The museum has a beautiful, bright inner courtyard displaying some lovely, early 19th-century furniture, as well as an ornate horse-drawn hearse. Lots of natural light illuminates the quirky, Victorian-era potpourri of natural-history exhibits, from bugs, butterflies, polymitas (snails with multicolored shells), to preserved fleas in nuptial dress, viewed under a magnifying glass. Antique buttons and buckles, pen nibs, death masks, a Masonic lodge throne in the shape of a peacock. On the historical side, there are the usual photographs of Cárdenas heroes of the wars of independence and the Revolution and a gruesome reminder of the risks rebels took, in the form of the garrote used to strangle victims to death. 

Monserrat Heights is a pleasant park that's also the site of La Ermita de Monserrat, a handsome, Colonial-Spanish style church. Built in 1875, the church is a shrine to the patron saint of Catalonians who immigrated to Cuba. This viewpoint has a spectacular view of the city and the bay, and the opposite direction is of the Yumuri River valley. There is also a snack bar in the park where you can refresh yourself.

This once-elegant, arched bridge over the Yumurí Estuary used to set a Parisian, Seine-like scene. Built in 1878, with two imposing carved columns at each end, it connected the barrio of Versalles, named for resident wealthy French coffee planters, and the city. Although it's currently in sad shape, it's still one of the most striking pieces of Matanzas architecture. The Cuban government used to give replicas of the columns as official gifts to visiting dignitaries